- MAGIC LANTERN CINESCOPE RATIO MOVIE
- MAGIC LANTERN CINESCOPE RATIO 720P
- MAGIC LANTERN CINESCOPE RATIO 1080P
- MAGIC LANTERN CINESCOPE RATIO FULL
- MAGIC LANTERN CINESCOPE RATIO ISO
MAGIC LANTERN CINESCOPE RATIO 720P
Custom Format recording like 2880 x 720 so we can use a 3D lens an record true stereoscopic 720p for instance, do you think this is possible? Increased compression bitrate to 100 Mbps, or ideally 280 Mbsp. Overall data rate stays as is, but bandwidth is allocated to 10 bits and 4:2:2.
MAGIC LANTERN CINESCOPE RATIO ISO
Remap the Scroll Wheel to adjust ISO as opposed to shutter speed.
Shooting In true 1828 x 1556 with 2:1 anamorphic with raw 14bit from camera 4:2:2 would be the best feature that this camera can offer I would say just the best magic lantern can do for the film makers and people are desperate to use the output to film one can do post dpx conversion for final delivery in any compositing softwares. Speaking of increased mbps, how about options for a higher frame rate? (e.g.
MAGIC LANTERN CINESCOPE RATIO 1080P
Recording cropped 1080p from the sensor without line skipping the whole chip Increase the ammount of stops for taking HDR images from 9 to 21 (or more?) At the moment there is nothing between the minute and 2 minutes. It may seem stupid but the two new presets would save a lot of time on calculating the resulting lenght of a time laps recording: the first one is 2 secs/hour at 25fps, the second records 2 secs/hr at 25fps. Alternatively, keep the mirror locked up during the whole sequence, would help a little.Īdding 2 more presets in intervalometer: 72 and 75 seconds
MAGIC LANTERN CINESCOPE RATIO MOVIE
In order to preserve shutter and mirror box from wearing too fast, would it be possible to record 1 single frame of a continuous video file everytime the intervalometer count takes the pic? This would preserve the camera, give a better resolution than the silent mode and automatically create the final movie withouth the need of an external editing program. Intervalometer in Movie Mode: 1 single frame Would it be possible to not have the change of brightness even if it means less efficient focusing performance? This process causes a change of brightness which is recorded to the final output. These are all very speculative and a long way down the road from where we are today.Īuto-focus during Video Recording without change of brightnessĭuring recording, the camera relies on contrast to do focus detection. I absolutely can’t wait to try this out on my camera.Some features that have been requested, with commentary if I've thought about it. You will need a very fast memory card as well.
Just be aware this is in the early stages and won’t be 100% reliable, also the live-view switches to a lower quality black and white display in 4K mode. I am quite stunned the 5D Mark III is even capable of this stuff. These lower bit-depth modes also reduced dynamic range and increases noise in the shadows. 14bit lossless raw anyone?ĥD Mark III users will also now get to try an experimental lossless 14bit mode which reduces file sizes by a huge 58% without a visible loss of image quality. This comes in addition to the earlier 10bit and 12bit raw modes to reduce file sizes. It is the closest match to Ultra HD, just 590 pixels less vertical res than 16:9 UHD (3840 x 2160).Īn early test in 10bit 3.8K mode by Luigi Baccino –Īnd that’s not all. The 3840 x 1600 4K mode is 24p and has a 1.5x crop (Super 35mm) and an aspect ratio which is a little less narrow.
MAGIC LANTERN CINESCOPE RATIO FULL
Here’s how the Super 35mm 4K readout windows look on the full frame sensor, along with the new 1.9x crop 3K mode –Īs you can see the widest Cinema 4K has a rather narrow aspect ratio compared to 16:9, it looks more like anamorphic-style 2.66:1 to my eye, which is no bad thing in my view. The new 3×3 binning modes for 45fps to 60fps also look interesting as it may improve the quality of raw slow-mo. Full-resolution LiveView: 5796×3870 at 7.4 fps (128ms rolling shutter).Here are the new resolutions available in-camera: Non-testers and pro videographers are well advised to wait for the bugs to be ironed out but if you’re curious and use Magic Lantern at the moment feel free to try it out. These are experimental / bleeding edge nightly builds, which you can download here at Magic Lantern. So a 2012 camera, the Canon 5D Mark III will now record 4K raw thanks to A1ex and his team. Yesterday on April 1st, in amidst the usual click bate Magic Lantern announced a 4K video module for the 5D Mark III.
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